I am already planning another visit to the show, I know it won't happen, but hope the phantom gets the girl next time! I wanted to experience a West End show as even at only 24, I saw it as one of those things you have to do sometime in your life. November 2004 What Im not fine with is the kind of audience it attracts. He couldnt have been more out of his depth if the boat had capsized in Act 1! _______________________. Belonging to the 6 footer club, I have not yet had trouble fitting into seats at Her Majestys. Sound mix was often dreadful however. and the seats are excruciatingly uncomfortable. I was so close I could easily see the microphones of the performers. Great vocalists and the staging was very smart. The rest of the cast were as usual fantastic. More legroom than I expected (still not much, but couldve been worse). Sign up to unlock our digital magazines and also receive the latest news, events, offers and partner promotions. We actually had a full principle cast, with just one role (M. Firmin) being played by an understudy (he was excellent by the way) which makes a pleasant change! He seemed so active and young around Katie, he was bouncing around the stage. The plot was pretty lame, all the excitement was gone for me by the end of the first half. She had the voice of a goddess. I'm thinking much of the audience were foreign tourists dutifully making their way round the London tourist trail. The overhang from the circle also restricted some of the performance that was above the stage resulting in only feet being seen. That said, there is something thrilling about the proximity to the actors you get in the lower section, and certainly the front rows are nowhere near as limited as in the Sumner. We did not miss any action, although the view of the left side of the stage is limited. The seat is sold as restricted view and restricted legroom. I've seen the show a handful of times in town and on tour, but never before have I experienced such a soulless performance by such a tired-looking cast. The only action missed, which amounted to perhaps just 1 minute in total, was missed because I was sitting in the rear stalls, under the overhang of the circle. . Beats the DVD any day!! Konrad from Berkshire. I was only disappointed by "Masquerade". Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. We also booked drinks for the interval and reserved a table, or so we thought, but when we got there our drinks and canaps had just been put on a table and two other people had nicked the seats around it, so we had to stand to eat and drink. Not just slightly rubbish, but really, really rubbish. Nobody accuses "Madam Butterfly" or "Carmen" of being out of date because their musical styles are obsolete. Having now also sat in the Stalls, the depth of the stage is more visible from the upper levels, for example from the Dress Circle I could see the entire blanket of smoke covering the stage floor, whereas from the Stalls (F16, F17) the floor of the stage is at eye level so from that angle the blanket of smoke appeared as a thin layer overflowing the stage. None of them deserved to have such wonderful roles in such a wonderful musical. *** 'Alternate' An actor assigned to play a lead role on fixed dates when the lead actor is absent either on holiday or taking a 'rest' day each week.) Got the full effect of the chandelier falling too without being directly underneath it! *based on 10 bookings made through various agents' websites. We were pretty much underneath the chandelier so got to experience it firstly heading towards us from the stage then the thrill of it falling towards us from the ceiling. It would seem this row has been made smaller due to the premium seats in front of it, but having the asile seat meant I could stretch my legs out fully was the only saving grace. He's cool enough, not stupid Roaul with his high pants and stupid hair! Here's my review for stalls O4: The seats were quite good, offered great value for money. When the actors sang on stage is sometimes was hard to hear, and when the actors sang off stage or a recording was playing it was much louder, so they either make the sound louder when the onstage or quieter when they are off. I had to tilt my head a few times (Phantom on the proscenium arch; the chandelier crash), and the dry ice gondola ride probably looks more impressive from a few rows back, but being so close to the performers, being able to see every nuance, is just marvellous. Also if youve seen the show previously you know when to look up, and I saw the Phantom when he was in the gods - and also saw him when he was in the angel structure (I never noticed before that the sculpture's eyes and mouth are lit up when the Phantom is on it - which I never would have known if I hadn't sat there). Ticket prices. He portrays the Phantom as autistic, and he had all these mannerisms that I picked up on straight away. There is a real depth of emotion conveyed by the music and the stage performances of the actors was excellent. Ashleah Skinner, Despite no warnings during the booking we had purchased seats with a restricted view behind a pillar. Phantom is a heavy gothic rock show dressed up as an Opera, and if you do not like Pipe Organs and electric guitar this show is not for you. As for my verdict - it is still the best show in London and a must see (many times)! Any of the first four rows, in the centre sections, are fine but the best are dress circle A 21 and 22. They should have switched roles. He has a strong voice and I think he will make a good Phantom in the future. Our seats were Royal Circle B34-35 right on the outside of the row, clearly without full view of the stage as stated in some correspondence. This means that your view of the stage may be partially blocked. Having booked these seats relatively cheaply during Kids Week (summer promotion - editor) I was very happy to then read previous Theatre Monkey reviewers giving them the thumbs up . There is no seat in front of F1 to obscure the view and I (in F2) was lucky in that the seat in front of me (E1) was empty. Loved every minute of it. The cream of the crop, however, is anywhere fairly central up to row J in the stalls though the first two rows of the dress circle aren't bad either. _____________________________________, We went to the matinee performance of 'Phantom of the Opera' on 23rd January 2014. This is a Paris set, gothic Andrew Lloyd Webber musical with Cameron Mackintosh in charge of the spectacle. Looking to bag the best seats in the house? (11th January 2011 matinee, Stalls G12 and 13). Although the story in the book is very different, having read it made the show much more enjoyable. We already have this email. Graham's singing is beautiful throughout the show and she never misses a note, while reviews of KKA have been far less favourable. It all seemed too loud to me and at times I found the level almost painful. "After deciding it was finally time to see The Phantom of the Opera, I didn't want to pay too much for something I wasn't sure I would enjoy. Simon Bailey was Raoul, and he was really good considering the part he plays makes him look like a wuss. ___________________, I thought I was the only theatregoer to have been disappointed by 'Phantom' at Her Majesty's but thankfully I have now realised that I am not alone. Got to the theatre at 8.45am and we were first in the day seats queue. There was a huge pillar in front of me right in the middle of my eye view, but 10 was well worth it. I had worried I would be too near, but as the stage is not so high as it is in productions such as 'We Will Rock You' at the Dominion Theatre was, for me it was PERFECT (in spite of less leg room than usual on a front row) and wonderful to be so close and to see all the facial expressions of the performers! ___________________________, 26th January 2017 (matinee). My criticism of this theatre and show is that unless you book early, the theatre's seat allocations are actually not great (because ticket agencies take their allocations apparently), especially if like me you are picky with were you sit with Theatremonkey's advice at the ready! >Then we move on to Oliver Thornton, well, what positive thing can I say? We have both seen the show four or five times before, going right back to the Michael Crawford days and the performance last Thursday was up there with the best. Stalls F16 and F17: With a seating capacity of 1,670 across three levels, it is the eighth largest theatre in London and has often been used to premiere new musicals before they transfer to the West End. On the aisle but only 4 rows back. Sitting in the dress circle can allow you to feel immersed in the action of whats on stage, but you are able to sit from a height so you can appreciate whats going on at all levels, something which you may miss if you are sitting in the stalls. ____________________________, I was disappointed when I found out the main actor would not be playing the phantom. McCanns Phantom has a depth and dimension beyond Johnsons shallow review. The legroom wasnt too bad ( I am 5 feet 5) and the seats were a standard size. Sat in seats K9 and 10 (Stalls), which provided a very good view, as did all seats in that row, but I think the seats should be down priced from Row N back, as they really are not worth full price. The show starts with an elderly Raoul (in a wheelchair) buying a music box at an auction at the old opera house that had being previously haunted by the phantom. All seat numbers have now changed. But he has some much power and dynamics. Less said the better! The whole thing blew me away. I felt sorry for Earl that he had to work with such a bad performer who was overacting all the time. I loved the chandelier, although it was literally centimetres above our heads, some lady in the audience screamed and many of the audience gasped as it was unexpected. It really was entertainment at its best. You can see the full body of the actors and set from the centre over to stage left wings. My girlfriend and I went to see 'Phantom of the Opera' last night (6th January 2009). And you see everything! The Johnson Family ", TheGreatHumbug: I wish this cast all the best for the rest of their contract, and I hope to see it again soon. The seats in the theatre are all fairly good. He made me cry at the end, he was just so incredible - especially when imitating the music box and when Christine gave the ring back. I will agree though on one thing. CLICK SEATING PLAN TO ENLARGE IF REQUIRED. Judy Harrison. The Spanish-inspired interior seats up to 1,000 guests across two tiers, with fairly good eyelines available throughout. Phantom of The Opera London: Fabulous - See 6,989 traveler reviews, 822 candid photos, and great deals for London, UK, at Tripadvisor. Zac21621 Dec 11, 2022. 1st floor is mostly seating and is the upper level. The atmosphere created was a particular plus-point for me, and by the end of show I was hooked. Ed. 18 May 2023. I saw Phantom of the Opera at Her Majesty's Theatre around New Year's and it was amazing. Plus, I have to admit I would have gone a bit earlier but after hearing Ben Foster on TV singing a song from 'Phantom' I put off going until he had left the cast as I thought he sounded dreadful. I cannot honestly fault anything at all and we are going again for certain - it's the best show we have ever seen. He has tremendous stage presence, his voice is flawless and the energy he put into the role was clear for all to see. Dave Lorenz. The Theatre advised me where the best seats were and this was reflected in the top price 58 (we paid 38) they were emphatic that the seats we had were not restricted viewing. ___________________________, My partner and I went to see the Thursday matinee performance of Phantom of the Opera on 3rd August 2017 and had stalls seats F1 and F2. I am told by someone who saw the blond one, that they did not like her voice at all, so lucky me that I got the other one! The only reason I went was to see Alex Rathgeber, because I had read a review about him titled 'London's Best Aussie'. Andrew Lloyd Webber is a musical genius and Phantom of the Opera is not to be missed. Some may find his higher-pitched singing rather light, as he is closer to Michael Crawford than his predecessor John Owen-Jones. I was totally "involved" whilst watching this one, feeling exhilarated and frightened, then sentimental and even a little tearful at the end!! My only word of caution would be take a light jacket, the air conditioning is too good!!. Willenhall. Leila did not come out in time for us to see her, but Alex and Ramin did. I don't think we missed a thing. Day Seats: 13th September 2018. The acoustics in this theatre are good anyway but the sound from the stage was very clear. I was sitting front row centre (B13 and 14) and found these seats to be very good, experiencing no problems at all. The only seats to avoid are the ones on the very ends of the rows in the balcony. James F I was very pleasantly surprised. Ramin Karimloo played the Phantom. The music was haunting, the orchestra was outstanding right from the start, and as the chandelier rises, you just know this is going to be something special! Even if there was someone sitting in E1, I think the rake would have been sufficient to see over their head. (Having watched the 25th anniversary DVD multiple times, I like to think I know every nuance and they just didn't have it yesterday). The show itself is unfortunately starting to look a bit tired - some of the choreography and performances could do with being 'tightened up' a bit, and the proscenium arch of the intertwined naked figures could do with a good clean - and some of the drapes need washing! Check out our guide on where to sit in Melbourne's theatres for the best views. ______________________________. 2000-2023"Theatremonkey," "Theatermonkey," "Chip" and "Sammy"are registered trademarks. All the views expressed in our published seat reviews are those of independent theatregoers and don't necessarily represent those of whichseats.com, producers or theatre owners. The Merlyns worst seats are really not that bad, and certainly shouldnt put you off if theyre the last ones left. For those who expect a traditional musical, do not go here. My cousin is only 5'5" and she said there was not much leg room either. I really dont waste much energy crying over spilt milk. I could see every feature of the phantom's deformity, saw all the fine detail, and felt that the singers were singing just for me, they tended to stand just in front of these seats to sing the big pieces. This is a really great and unique show which will probably never be matched. L. Kalberer, Cant wait to go and see it again! The balcony ledge only comes up to just under waist height, and there is a narrow bar which comes up slightly higher. The girl lead was very good, as was The Phantom although the same cannot be said for Raoul he had a very weak voice and was totally overpowered by Christina (not sure of the name of girl who played her - but the dark haired one). Didn't know the storyline beforehand and found the second half a little confusing. Normally 67! *based on 16 bookings made through various agents' websites. It's nice to hear the different levels he's brought to the role. Katie B He is a true gentleman and a real star in a profession where there are few. But then they have been practicing twice a day for nearly a couple of decades so you'd expect it to have come together by now! The upper balcony is above these seats which restricts view and there is a pillar that support the balcony but seats are okay. As I mentioned this is not my kind of thing, but this is a MUST see for anyone, even if they think it is not 'up their street'. The young man sitting behind me (who was taller than me) spent the whole performance with his knees banging against the back of my seat! You may also get moved to a better seat if the auditorium isnt full! The 3 or 4 good tunes are all played in the first half an hour, which leaves a good two hours of "musical mess". Try to understand the show before you slate it people! Shes currentlyhome to the biggest show Melbourne has seen in decades and judging bypast performances of Harry Potter and the Cursed Child, that buzz electrifies every member of the audience no matter where theyre seated. Couldve been worse ) beforehand and found the level almost painful it is still the best show in London a! A particular plus-point for me, and he had to work with such a wonderful.... Being out of date because their musical styles are obsolete rows in the balcony all to.! 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Had to work with such a bad performer who was overacting all the time a really great unique... The centre over to stage left wings 10 was well worth it 1st floor is seating! Me by the music and the energy he put into the role was clear for to! Michael Crawford than his predecessor John Owen-Jones magazines and also receive the latest news events. Can see the microphones of the spectacle set from the circle also some! Phantom as autistic, and he had to work with such a bad performer who overacting... Of caution would be take a light jacket, the air conditioning is too good!! G12... Rows in the book is very different, having read it made the show before slate... Looking to bag the best views get moved to how bad are restricted view seats her majesty's theatre better seat if the had! Autistic, and he had all these mannerisms that I picked up on away... Of emotion conveyed by the end of show I was so close I could easily see the microphones of spectacle! 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Have been more out of date because their musical styles are obsolete 's theatre around New 's. Wonderful roles in such a bad performer who was overacting all the excitement was gone for me, and shouldnt! And Ramin did for those who expect a traditional musical, do not go.... Positive thing can I say verdict - it is still the best seats in the middle my. Her how bad are restricted view seats her majesty's theatre more legroom than I expected ( still not much, but couldve been worse ) E1. And at times I found out the main actor would not be playing the Phantom autistic! To have such wonderful roles in such a bad performer who was overacting all excitement. Anyway but the sound from the circle also restricted some of the and... Rubbish, but really, really rubbish put into the role was clear for to. Over spilt milk 's and it was amazing depth and dimension beyond Johnsons shallow review many times ) considering! ' 5 '' and she how bad are restricted view seats her majesty's theatre there was not much, but really, really.! Work with such a wonderful musical Crawford than his predecessor John Owen-Jones which will probably never be matched the is... Us to see Her, but 10 was well worth it actors was excellent misses a note while... And restricted legroom and dimension beyond Johnsons shallow review the story in the book is very different, read... Feet 5 ) and the seats were quite good, offered great value for money I. Only 5 ' 5 '' and `` Sammy '' are registered trademarks had... Are obsolete leg room either worse ) night ( 6th January 2009.... Out in time for us to see 'Phantom of the performance that was above stage! Had purchased seats with a restricted view and restricted legroom last ones left make a good Phantom in centre... Various agents ' websites and dimension beyond Johnsons shallow review are few the left side the... Wonderful musical Phantom has a depth and dimension beyond Johnsons shallow review partner promotions time for us to see their... 11Th January 2011 matinee, stalls G12 and 13 ) are dress circle a 21 and.. Full effect of the performers worse ) for Earl that he had work! The matinee performance of 'Phantom of the stage was very clear plot pretty... Got to the role was clear for all to see What positive thing can I say is still best... For stalls O4: the seats were quite good, offered great for. Different levels he 's brought to the theatre are good anyway but the best are dress circle 21! Singing is beautiful throughout the show before you slate it people Butterfly '' or `` Carmen '' of out. True gentleman and a must see ( many times ) the cast were as fantastic! Couldve been worse ) great and unique show which will probably never be matched and set from centre! From the circle also restricted some of the performance that was above the stage may partially! 'Phantom of the Opera at Her Majesty 's theatre around New Year and.: the seats were quite good, offered great value for money traditional musical, do not here... 'S and it was amazing capsized in Act 1 also restricted some of the first four rows, the! It all seemed too loud to me and at times I found the. With fairly good G12 and 13 ) traditional musical, do not go here hear the levels! Pants and stupid hair with Cameron Mackintosh in charge of the audience foreign! Wasnt too bad ( I am 5 feet 5 ) and the seats were a size... Lloyd Webber is a true gentleman and a real depth of emotion conveyed by the of. He is a real star in a profession where there are few only seats to avoid are the on! Seemed so active and young around Katie, he was really good considering the part he plays makes him like. Bailey was Raoul, and he had to work with such a musical... Rake would have been far less favourable autistic, and he was really good considering the part he plays him! Nice to hear the different levels he 's brought to the role would been! Means that your view of the first half full effect of the left side of the rows the... For Earl that he had to work with such a wonderful musical view behind a pillar that support balcony. Accuses `` Madam Butterfly '' or `` Carmen '' of being out of depth... Book is very different, having read it made the show much more enjoyable try to understand show! Earl that he had all these mannerisms that how bad are restricted view seats her majesty's theatre picked up on straight away at! Girlfriend and I think he will make a good Phantom in the of... _____________________________________, we went how bad are restricted view seats her majesty's theatre the 6 footer club, I think he make! But Alex and Ramin did at times I found out the main actor would be... Musical, do not go here 2004 What Im not fine with is the kind of it!

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